So often I critique stories in which some insignificant person, like a waiter or shop assistant, is over-described. Reading about how this person looks, talks, or reacts always makes me feel as if that person is going to play some important part in the novel. Then they never reappear. Their presence did not illuminate the protagonist, environment, they provided no conflict, or exploration of the protagonist’s character. That background person had nothing to do with the scene, character foundation, the plot twist, or sense of place.
Each character needs to be in your story for a specific reason. Unless they have meaningful interaction with your protagonist, don’t give bar tenders, taxi drivers, butlers, receptionists (this is not a movie), random bystanders too much oxygen.
Each character needs to earn their place in your story.
Think how best to use a tertiary character. They can:
- Offer a brief but fresh perspective on the story’s events. They might notice or comment on things that the main characters don't, because your peeps are so embroiled in the plot. They can give objectivity.
- Sometimes, a tertiary character’s actions can be pivotal to the plot. They might provide crucial information.
- Be a really good example of sense of place. Be so representative of where your character is they add to your world building (often done in movies).
- Introduce a moment of emotional depth or humanity, perhaps by showing kindness or suffering. These small moments can make the story more relatable or poignant.
- Provide comic relief!
If you’d like to share any comments or thoughts, I’d be happy to hear from you.
Email me directly at lisacliffordwriter@gmail.com.
Lisa